Irene loves films - and writes about them - Classics and Moderns - Hollywood and others, too. As long as it is connected with films - it might appear on this blog..
What the ...
This blog is actually written for those who
like films - the non-profesional viewer especially. I believe that if you do something you should enjoy it.. And maybe you'll find something here you think you might enjoy to watch - or an actor/actress you'd like to see more of..
There will be some reviews, picture posts and several series on this blog.
Somehow everything is related to films..
Enjoy!
Irene
Errol Flynn: "My wicked, wicked ways",
David Bret: "Joan Crawford - Hollywood Matyr",
Stone Wallace: "George Raft - The Man who would be Bogart",
Paul Donnelley: "Judy Garland",
Jerry Lewis: "Dean & Me (a Love Story)",
Lee Server: "Ava Gardner - Love is Nothing",
James Cagney: "Cagney by Cagney",
Lilli Palmer: "Change Lobsters and Dance",
Harpo Marx: "Harpo speaks",
Groucho Marx: "Groucho and me",
Jeff Lenburg: "Peekaboo - the Story of Veronica Lake"
Lucille Ball: "Love, Lucy"
Alexander Walker: "Vivien - the life of Vivien Leigh"
and one or two other books.. ;")
are - if not further stated - originating from free graphic sources. In case I hurt someones right: Please inform me and I will remove the pictures immediately. Thank you.
I said this month I would participate in PARIS IN JULY – so the soundtrack of the month is from a French film – which is very surprisingly set in Paris..
In the film she personated by Audrey Tautou, who you may know from THE DA VINCI CODE (2006).
Here you have the US trailer for AMĆLIE – so you can take a first glance at it (some of the really beautiful pieces of music of this film can be already heard in this clip):
Maybe you recognized the young man: It’s Mathieu Kassovitz who also was in THE FIFTH ELEMENT (1997) and in MUNICH (2005) and he will be in HAYWIRE (2011)…
Now let’s talk about the music:
Director Jean-Pierre Jeunet originally wanted composer Michael Nyman to write the music for this film but changed his mind after listening to a CD by Yann Tiersen. So he bought the rights of Yann Tiersen’s melodies and used them for this film.
Another beautiful melody - A QUAI (hm.. I would say this means: "at the dock" - but I am not 100% sure about it..):
Not every song of this score was written by Yann Tiersen – here is GUILTY which was very popular in the 1930s - and it’s a wonderful song if you like to whistle… guess who does?!? ;”)
It was published in 1931 and is in this version sung by Al Bowlly – a very popular British singer back then. There are many more versions e.g. by my beloved Billie Holiday respectively my equally adored Ella Fitzgerald:
I can truly tell you – it’s a great soundtrack for long-distance trips by train (I checked that in several self-experiments..) – I can’t say anything about its “car-trip qualities” – yours Irene isn’t allowed to drive a car.. – mostly because she hasn’t got a driver’s license.. So you have to find that out by yourself.
I will add a poll again – you’ll have two weeks to decide which of those tracks I presented here is your favourite.
I am sorry that I only found a scene with subtexts and nothing dubbed in English – but you know: international rights and such stuff.. *sigh* oh, poor me – and you! ;”)
Anyway: I hope you’ll like this scene.. and maybe start to think about watching this magnificent magical movie..
I highly react to film music. I can’t help it – and I won’t help it. :”)
But I will try and - if I can - establish a little series in which I will write about scores, composers – and ways more about my enthusiasm for these awesome pieces of music that we often hear but seldom realize. I might pick one composer or one movie or... - we'll see..
This is going to be quite personal – but you can avoid to read to much about "yours truly" because I will name every post LET’S FACE THE MUSIC – AND TALK - so you will know when to hide..
So let’s start with the music I grew up with:
Maybe you should know that I grew up with a father who is a great fan of western and adventure films and whatever. – Let there be some dirty “real men” who know how to use their fists and now and then spit out a sassy sound bite – my dad will love it.
Can’t imagine anything more lovable when thinking of my highly intelligent dad than this big man laughing about some silly jokes and a fat guy socking a bunch of meanies – yeah, my dad is great. We had some fights and not so very beautiful moments but I think we go along now. (Yes, I moved out years ago – how could you guess that? Well, it seems that I am starting to become nostalgic and forget things – don’t we all?)
Some of the films my daddy loves have the greatest score you can imagine. He and my mother also have a large collection of records – and some of them content the music of one man on whose genius my family agrees completely about. It is the Italian composer and conductor
Ennio Morricone.
I think his name is best know from several “Spaghetti Western” scores (though he wrote music for “only” 30 -40 of them).
2007 he received an Honorary Oscar for his life achievement – and he was nominated for several other awards of which he won a lot..
Hans Zimmer once called him his favorite composer in the world – and Hans Zimmer isn’t bad himself, is he?
Ennio Morricone worked also with Brian de Palma for THE UNTOUCHABLES (1987) and MISSION TO MARS (2000), with John Carpenter for THE THING (1982), with John Boorman for THE EXCORCIST II (1977) and with Wolfgang Petersen for IN THE LINE OF FIRE (1993) - to just name a few.
But for me - and presumably many others - he will always be the man who wrote music like these:
MY NAME IS NOBODY (1973) – one of my father's favorite films.. And - you know: there are Terence Hill’s famous blue eyes.. I am a fan of dark eyes.. - but this man.. well.. – let’s change the subject. This Nobody was pretty cool.. and this melody is one of the most cheerful I know:
THE BALLAD OF SACCO AND VANZETTI (1971) – which is quite political – read more about Sacco and Vanzetti and ask wiki.
The song was originally written for the Italian docudrama SACCO E VANZETTI (1971) but is also used for GERMANY IN AUTUMN (1978) and in Wes Anderson’s amazing THE LIFE AQUATIC WITH STEVE ZISSOU (2004).
This was one of my favorite songs – and I still love it very much. It has a wonderful melody – very powerful. When I was a kid I used to hear it over and over at night and cry a bit.. Though I had no clue what this song was about. I always was an odd chick.. Maybe it was the organ..
But let's listen to Joan Baez:
THE GOOD THE BAD AND THE UGLY (1966). Okay - who of you still says he/she doesn’t know anything musical by Ennio Morricone?
How can you possibly have survived till this day and don’t know this tune?? I use this one rather often to tease my sister – whenever she starts to give me the evil eye (just before she is about to “explode”) and the strain becomes really hard for me I start to hum this melody – including some sounds which may remind you of a duck in change of voice.. In most cases I think this melody saves my live, because my sister starts to laugh – and if someday it won’t be working anymore – well, it’ll be the perfect score.. ;”)
A FIST FULL OF DOLLARS (1964) – I just love how this melody builds up: First you hear a soft guitar, then a whistle is added and after that this trill and so on – it’s just awesome!:
For the fans: ONCE UPON A TIME IN THE WEST (1968) – this one kills me. This is an unbelievable heavy piece of music – very dark and it is able to depress me. I guess that I couldn't possibly make a post about Morricone an leaving this one out..
And finally – you get a scene to see how Ennio Morricone’s music can make a scene quite impressiv which would be a bit dull ~ yeah! I said it. Just a bit, boys! Keep your shirt on! I don't say it's bad - I just say it's better with music. ;"p ~ :
It's from A FEW DOLLARS MORE (1965) and I post this scene in Italian – so you can completely concentrate on the music and the pictures. (Won’t work so good, if you’re able to speak Italian – but I just couldn’t find a version in “Elvish”..)
It's the finale - so you should be prepared of spoilers.. ;")
( I think this is kind of a favorite scene for mothers: “See? Even Clint Eastwood is able to clean up!”)
Tell me: Do you like Ennio Morricone's music? Have you got a favorite melody by him?
Just for fun I am adding a poll so you can vote for your favorite melody of those I presented here – quite interactive, eh? ;”)
Thank you very much for visiting this blog – and I hope you liked what you saw.
Some of Irene's favourite directors (in no particular order)
Billy Wilder, Alfred Hitchcock, Fritz Lang, George Cukor, Michael Curtiz, Douglas Sirk, Ernst Lubitsch, Preston Sturges, Tim Burton, Otto Preminger, Tarsem Singh, Wes Anderson, Sofia Coppola, William Wyler...