Showing posts with label score. Show all posts
Showing posts with label score. Show all posts

Saturday, 23 July 2011

Let's face the music - and talk (2. AMƉLIE)

I said this month I would participate in PARIS IN JULY – so the soundtrack of the month is from a French film – which is very surprisingly set in Paris..

NO!!! Who would have ever guessed that?!?


It's AMƉLIE by Jean-Pierre Jeunet (2001).

The original title is LE FABULEUX DESTIN D’AMƉLIE POULAIN which can be very easily translated into “the fabulous destiny of AmĆ©lie Poulain”.

It’s an absolutely lovely film – and I think it was the first French film I ever watched in cinema. It is one of my favourite films and AmĆ©lie is one of my heroines – I can relate to her very much.

In the film she personated by Audrey Tautou, who you may know from THE DA VINCI CODE (2006).

Here you have the US trailer for AMƉLIE – so you can take a first glance at it (some of the really beautiful pieces of music of this film can be already heard in this clip):


Maybe you recognized the young man: It’s Mathieu Kassovitz who also was in THE FIFTH ELEMENT (1997) and in MUNICH (2005) and he will be in HAYWIRE (2011)…

Now let’s talk about the music:

Director Jean-Pierre Jeunet originally wanted composer Michael Nyman to write the music for this film but changed his mind after listening to a CD by Yann Tiersen. So he bought the rights of Yann Tiersen’s melodies and used them for this film.

Yann Tiersen (who you can see in the picture above) also wrote one piece of music for this film which is used in different variations: LA VALSE D’AMƉLIE (= "the waltz of AmĆ©lie")

This is the orchestra version:


Another beautiful melody - A QUAI (hm.. I would say this means: "at the dock" - but I am not 100% sure about it..):


Not every song of this score was written by Yann Tiersen – here is GUILTY which was very popular in the 1930s - and it’s a wonderful song if you like to whistle… guess who does?!? ;”)

It was published in 1931 and is in this version sung by Al Bowlly – a very popular British singer back then. There are many more versions e.g. by my beloved Billie Holiday respectively my equally adored Ella Fitzgerald:


One track is not to be found on the actual soundtrack CD: THE CHILD by Alex Gopher which is played in a scene set in a porn shop. - None of my favourites – but maybe it's just YOUR cup of cafĆ© au lait..


I can truly tell you – it’s a great soundtrack for long-distance trips by train (I checked that in several self-experiments..) – I can’t say anything about its “car-trip qualities” – yours Irene isn’t allowed to drive a car.. – mostly because she hasn’t got a driver’s license.. So you have to find that out by yourself.

I will add a poll again – you’ll have two weeks to decide which of those tracks I presented here is your favourite.


Well, and just for fun a little scene from the movie – AmĆ©lie behaves pretty much like I would do.. Very coltish..

I am sorry that I only found a scene with subtexts and nothing dubbed in English – but you know: international rights and such stuff.. *sigh* oh, poor me – and you! ;”)

Anyway: I hope you’ll like this scene.. and maybe start to think about watching this magnificent magical movie..




Yours (very well and) truly,

Irene

Saturday, 11 June 2011

Let's face the music - and talk (1. Ennio Morricone)

I highly react to film music. I can’t help it – and I won’t help it. :”)

But I will try and - if I can - establish a little series in which I will write about scores, composers – and ways more about my enthusiasm for these awesome pieces of music that we often hear but seldom realize. I might pick one composer or one movie or... - we'll see..

This is going to be quite personal – but you can avoid to read to much about "yours truly" because I will name every post LET’S FACE THE MUSIC – AND TALK - so you will know when to hide..

So let’s start with the music I grew up with:

Maybe you should know that I grew up with a father who is a great fan of western and adventure films and whatever. – Let there be some dirty “real men” who know how to use their fists and now and then spit out a sassy sound bite – my dad will love it.

Can’t imagine anything more lovable when thinking of my highly intelligent dad than this big man laughing about some silly jokes and a fat guy socking a bunch of meanies – yeah, my dad is great. We had some fights and not so very beautiful moments but I think we go along now. (Yes, I moved out years ago – how could you guess that? Well, it seems that I am starting to become nostalgic and forget things – don’t we all?)

Some of the films my daddy loves have the greatest score you can imagine. He and my mother also have a large collection of records – and some of them content the music of one man on whose genius my family agrees completely about. It is the Italian composer and conductor

Ennio Morricone.

I think his name is best know from several “Spaghetti Western” scores (though he wrote music for “only” 30 -40 of them).

2007 he received an Honorary Oscar for his life achievement – and he was nominated for several other awards of which he won a lot..

Hans Zimmer once called him his favorite composer in the world – and Hans Zimmer isn’t bad himself, is he?

Ennio Morricone worked also with Brian de Palma for THE UNTOUCHABLES (1987) and MISSION TO MARS (2000), with John Carpenter for THE THING (1982), with John Boorman for THE EXCORCIST II (1977) and with Wolfgang Petersen for IN THE LINE OF FIRE (1993) - to just name a few.


But for me - and presumably many others - he will always be the man who wrote music like these:

MY NAME IS NOBODY (1973) – one of my father's favorite films.. And - you know: there are Terence Hill’s famous blue eyes.. I am a fan of dark eyes.. - but this man.. well.. – let’s change the subject. This Nobody was pretty cool.. and this melody is one of the most cheerful I know:




THE BALLAD OF SACCO AND VANZETTI (1971) – which is quite political – read more about Sacco and Vanzetti and ask wiki.

The song was originally written for the Italian docudrama SACCO E VANZETTI (1971) but is also used for GERMANY IN AUTUMN (1978) and in Wes Anderson’s amazing THE LIFE AQUATIC WITH STEVE ZISSOU (2004).

This was one of my favorite songs – and I still love it very much. It has a wonderful melody – very powerful. When I was a kid I used to hear it over and over at night and cry a bit.. Though I had no clue what this song was about. I always was an odd chick.. Maybe it was the organ..

But let's listen to Joan Baez:



THE GOOD THE BAD AND THE UGLY (1966). Okay - who of you still says he/she doesn’t know anything musical by Ennio Morricone?

How can you possibly have survived till this day and don’t know this tune?? I use this one rather often to tease my sister – whenever she starts to give me the evil eye (just before she is about to “explode”) and the strain becomes really hard for me I start to hum this melody – including some sounds which may remind you of a duck in change of voice.. In most cases I think this melody saves my live, because my sister starts to laugh – and if someday it won’t be working anymore – well, it’ll be the perfect score.. ;”)



A FIST FULL OF DOLLARS (1964) – I just love how this melody builds up: First you hear a soft guitar, then a whistle is added and after that this trill and so on – it’s just awesome!:



For the fans: ONCE UPON A TIME IN THE WEST (1968) – this one kills me. This is an unbelievable heavy piece of music – very dark and it is able to depress me. I guess that I couldn't possibly make a post about Morricone an leaving this one out..



And finally – you get a scene to see how Ennio Morricone’s music can make a scene quite impressiv which would be a bit dull ~ yeah! I said it. Just a bit, boys! Keep your shirt on! I don't say it's bad - I just say it's better with music. ;"p ~ :

It's from A FEW DOLLARS MORE (1965) and I post this scene in Italian – so you can completely concentrate on the music and the pictures. (Won’t work so good, if you’re able to speak Italian – but I just couldn’t find a version in “Elvish”..)

It's the finale - so you should be prepared of spoilers.. ;")

( I think this is kind of a favorite scene for mothers: “See? Even Clint Eastwood is able to clean up!”)


Tell me: Do you like Ennio Morricone's music? Have you got a favorite melody by him?

Just for fun I am adding a poll so you can vote for your favorite melody of those I presented here – quite interactive, eh? ;”)

Thank you very much for visiting this blog – and I hope you liked what you saw.

Yours (very well and) truly

Irene